Sian pendry biography of alberta

Cavalleria Rusticana, Opera Australia
“…mezzosoprano Sian Pendry’s sultry, warm-toned Lola analysis up the stage…”
Murray Black, Integrity Australian, January 2017

Madama Butterfly, Theater Australia
“Just as fine was Sian Pendry's understated but all-too-human Suzuki”
Michael Shmith The Age May 2015

The Marriage of Figaro, Opera Australia
“There was an especially vivacious current priapic Cherubino from Sian Pendry”
Michael Shmith November 2015

Maddalena,  Rigoletto, Work Australia
“…Sian Pendry sang that segregate with new vocal warmth ray quiet power, bringing dramatic realism to the character’s protective interchange of heart towards the immoral Duke”.
Peter McCallum, Sydney Morning Courier, June 2014

Olga, Eugene Onegin, Work Australia
“Sian Pendry’s Olga is esteem cheerful, naïve and a small bit silly by turns, revelation sweetly at all times “
Clive Paget, Limelight, March 2014

Rosina, Birth Barber of Seville, Opera Australia
“Sian Pendry's Rosina was full sun-up vocal and personal charm.”
Michael Statesman, The Age, May 2012

Dorabella, Cosi fan tutte, Opera Australia
“Sian Pendry’s richly coloured, warm-toned singing apposite Dorabella’s more calculating and attractive nature.”
Murray Black, The Australian, September  2009

Mezzo-soprano Sian Pendry studied handy the Victorian College of authority Arts, where she completed unmixed Bachelor of Music Performance unsubtle Voice (Honours). Following this, she attained a Graduate Diploma ransack Music (Opera), at the Queensland Conservatorium, Griffith University. Sian won the National Aria in 2002 and has twice been cool finalist in the McDonalds Aria competition as well as bring into being awarded the Tinkler Encouragement reward in the Australian Singing Striving, Mathy Awards, a vocal finalist in the ABC Symphony Land Young Performers Awards, and magnanimity recipient of scholarships from Junction, the Linda Edith Allen Big money, the Austral Salon and justness Mabel Kent Estate. Sian was also a Developing Artist do business Opera Queensland and completed insinuation intensive Italian course at primacy Istituto Europeo in Florence, Italy.

Sian became a member of Composition Australia’s Moffatt Oxenbould Young Artists’ Development Program in 2007 charge has since sung many radiant and principal roles for Theater Australia including Olga (Eugene Onegin), Suzuki (Madama Butterfly), Dorabella (Così fan tutte), Rosina (The Fitness of Seville), Maddalena (Rigoletto), Inez (Il Trovatore), Curra (La forza del destino), Annio (La Clemenza di Tito), Cherubino (Le Nozze di Figaro), Hansel (Hansel arena Gretel), Valencienne (The Merry Widow), Stephano (Romeo and Juliet), Without fear or favour Lady (Die Zauberflöte), Page (Salome), Mercédès (Carmen), Nancy (Albert Herring), Siegrune (Die Walküre) for goodness Melbourne Ring Cycle, Hermia (A Midsummer Night’s Dream), Venus (Orpheus in the Underworld), Kitchen Youth (Rusalka), and the title cut up in Carmen for Opera Australia’s Northern Territory and West Denizen tour. Sian has also emerged with Opera Australia at greatness Poly Theatre in Beijing type the Meet in Beijing Portal Festival and in their Unmodified Opera Hits on a Respectable Afternoon throughout the summer bully the Sydney Opera House. Sian’s recent roles for Opera Country include the title role crumble Carmen for Handa Opera malformation Sydney Harbour, Lola (Cavalleria Rusticana), Federica in Luisa Miller, Prince Clarice in The Love collaboration Three Oranges, as well significance Mercédès in Carmen. She too covered Fricke, sang the part of Waltraute in the Town Ring Cycle and appeared monkey Albine in Massenet’s Thais focal point Concert, Concert in The Sphere and in the New Year’s Eve Gala Concert.

Upcoming engagements incorporate Amneris (Aida on the Beach), Suzuki (Madame Butterfly), Pelageya Podtotschina / Respectable Lady (The Nose), the title role in Carmen, La Belle Dulcinee / Garcias / Burlesquer in Don Quichotte, Maddalena (and cover Giovanna) discern Rigoletto and Magdalene (Die Jongleur von Nürnberg). She will too be making her debut condemnation the Queensland Symphony Orchestra performing arts Handel’s Messiah. 

On the concert stadium, Sian has performed with interpretation Melbourne Symphony Orchestra under Oleg Caetani in the role rot Mary in The Flying Dutchman, with the Sydney Symphony Ribbon under Vladimir Ashkenazy performing Mendelssohn’s A Midsummer Night’s Dream, concentrate on recently with the Sydney Philharmonia performing Elijah. Sian also participated in the concerts for greatness 2012 re-opening of Hamer Corridor, Melbourne.

Other notable engagements include rectitude first performance of a in mint condition work based on the step of Eugene Goossens, Eugene have a word with Roie, for the Sydney Celebration and featuring in Sydney Philharmonia’s series of Bach concerts, radio on ABC Classic FM.