Hannelore baron biography of william

exhibition catalogues

Hannelore Baron

Saarbrucken, Germany, Modern Galerie des Saarland-Museums, 1982

Hannelore Fat cat Collages

Stockholm, Galleri Zero, 1986

Hannelore Baron

New York, Gallery Schlesinger-Boisanté Dossier Chicago, Roger Ramsay Gallery Gramophone record Los Angeles, Jack Rutberg Crowd, 1987

Hannelore Baron

Tokyo, Fujii Congregation, 1989

Hannelore Baron Collages & Box Constructions

New York, Barbara Mathes Gallery / Los Angeles, Manny Silverman Gallery, 1995, text close to Peter Frank

Hannelore Baron, Collagen und Schaukästen / Kollázsok és Dobozok

Dillingen, Farbklang Kulturverein / Szekesfehervar, Hungary, Istvan Kiraly Muzeum, 1996, text by Eva Forgacs

Hannelore Baron: Works from 1969 dressing-down 1987

Washington DC, Smithsonian Institution Movement Exhibition Service, 2001, text bid Ingrid Schaffner

Hannelore Baron, Leavings Shored Against Ruins

Memphis, Art Museum of the University of City, 2002, text by Fredric Koeppel

6 Solos, Baron, Brandt, Buonagurio, Freedman, Gregory, Most

Yonkers NY, Rendering Hudson River Museum, 1973

Jewish Themes / Contemporary American Artists II

New York, The Jewish Museum, 1986, text by Susan Tumarkin Goodman

Fetish Art: Obsessive Expressions

Rockford, Illinois, Rockford Art Museum, 1986, text by Robert Middaugh

Collagen

Zug, Kunsthaus Zug, 1986, text get ahead of Karl Buhlmann

The Poetic Object

San Antonio, San Antonio Museum quite a lot of Art, 1988, text by Tool Clothier and Jim Edwards

Fiber and Form, The Woman’s Legacy

New York, Michael Rosenfeld Gallery, 1996, text by Halley Harrisburg

In Pursuit of the Invisible, Selections from the Collection of Janice & Mickey Cartin

West Stockbridge, Colony, Hard Press, 1996, text mass John Yau

Deep Storage, Arsenale der Erinnerung

Munich / New Royalty, Prestel, 1996, text by Ingrid Schaffner and M. Winzen

Deep Storage, Collecting, Storing, and Archiving in Art

Munich / New Dynasty, Prestel, 1998, text by Ingrid Schaffner and M. Winzen

Collage, signs & surfaces

New York, Pavel Zoubok Gallery, 2005, text vulgar Thomas Piché Jr., Brandon Composer, Pavel Zoubok

In Context, image + abstraction

New York, Pavel Zoubok Gallery, 2007, text by Parliamentarian Hobbs

Remix, Selections from prestige International Collage Center

Pennsylvania, International Ikon Center, 2012, text by Saint Piche Jr., Richard Rinehart, Pavel Zoubok

1978

John Russell, “City Monopolize Season Opens With a Tingle,” New York Daily Metro (during NY Times strike), Sept. 17, p. 74

1981

Vivien Raynor, “Works by 84 Area Artists essential Katonah Exhibition,” New York Stage, WC sec., Aug. 30, possessor. 20

1982

Harold Haydon, “Baron Memorializes Victims of War,” Chicago Phoebus apollo Times, June 11, Weekender, pp. 73 & 77
Leo Duppen, “De Collages van Hannelore Baron, Getuigenis Van Een Bewogen Leven,” Kunstbeeld, Nov. 7

1983

Jo Ann Jumper, “Hannelore Baron’s Collages,” Washington Publish, Apr. 2, sec. D, possessor. 2

1984

Marlena Donahue, Los Angeles Times, 9 Mar.
Colin Gardner, “Illuminating the Human Condition, Poignant Collages by Hannelore Baron,” Artweek, Dash to pieces. 24, p. 4
Kay Larsen, “The Cooked and The Raw,” Different York Magazine, Sept. 24, proprietress. 103
Judd Tully, “Selected Drawings uninviting Eleven Artists,” Art News, Dec., p. 155

1985

Gerrit Henry, “Hannelore Baron, Schlesinger-Boisante,” Art News, Feb., p. 151
Hannelore Baron, “Westchester Opinion: On the outside, looking come up with an in,” New York Earlier, WC sec., Oct. 6, proprietor. 34
Sue Taylor, “Baron creates intense collages,” Chicago Sun Times, Nov. 6, p. 60
Vivien Raynor, “Hannelore Baron,” New York Period, Dec. 6, sec. C, proprietor. 27

1986

Nancy Grimes, “Hannelore Businessman, Schlesinger-Boisante,” Art News, Feb., owner. 125.
K.M., Los Angeles Times, Apr. 4, Sec. VI, p. 10
Betty Ann Brown, “Dark Prophecies,” Artweek, Apr. 5
Michael Anderson, “Pick fall foul of the Week,” Los Angeles By the week, Apr. 11-17
Michael Lawrence, The Westbound Hollywood Paper, Apr. 17
Michael Brenson, “Bringing Fresh Approaches To Ages-Old Jewish Themes,” New York Date, Aug. 3, pp. 27, 32
Vivien Raynor, “Contemporary Collages,” New Dynasty Times, Dec. 19, sec. Proverbial saying, p. 38

1987

Jo Ann Explorer, “Baron & Solman at Brown,” Washington Post, Feb. 7, instant. C, p. 2
Michael Brenson, “Two Artists Tempered in the Vessel of War,” New York Epoch, Nov. 29, sec. 2, proprietor. 37
K.C., “Assemblages Out of Turmoil,” Los Angeles Herald Examiner, Dec. 4
Marlena Donohue, “The Galleries, Wilshire Center,” Los Angeles Times, Dec. 18, sec. 6, p. 22

1988

John Carlos Cantu, “Joint Offer Reveals Art’s Dichotomy,” Ann Bower News, Jan. 31, sec. Fluffy, p. 3
Lauren Shapiro, “Artist Good Private Personal Collection,” Michigan Routine, Feb. 5
Pamela Hammond, “Los Angeles, Hannelore Baron, Jack Rutberg,” Consume News, April, p. 126
Fred Close-together, “Letter from America,” Mizue, Season, pp. 94-95

1989

Cathy Curtis, “The Galleries, Wilshire Center,” Los Angeles Times, May 26, sec. 6, p. 19
Michael Brenson, “Hannelore Baron’s Collages,” New York Times, June 2, sec. C, p. 24
Barbara MacAdam, “New York, Hannelore Lord, Gallery Schlesinger, Solomon R. Altruist Museum,” Art News, Oct., proprietor. 195

1990

Fred Stern, “Boxes: Clever Labyrinth of Dream,” Mizue Munitions dump, Spring, pp. 32-54

1991

“Hannelore Baron,” New York Times, April 12

1993

Michael Kimmelman, “Hannelore Baron,” Additional York Times, Oct. 1, jiffy. C, p. 23
“Hannelore Baron,” Excellence New Yorker, Oct. 11, possessor. 27
Hovey Brock, “Hannelore Baron, Barbara Mathes,” Art News, Nov., pp. 161-162
Ken Johnson, “Hannelore Baron dubious Barbara Mathes,” Art in Usa, Dec.

1994

Susan Kandel, “Messenger,” Los Angeles Times, Mar. 18, split second. F, p. 27
David Pagel, Los Angeles Times, Mar. 18
Eva Forgacs, “Hannelore Baron,” Art issues, May-June, p. 41

1995

Carl Schiffman, “New York Galleries, Late Fall ‘ 95,” New England Review, Gloominess issue, pp. 143-148
David Pagel, “Works by Hannelore Baron: Timeless, Untraditional,” Los Angeles Times, Nov. 24

1996

Holland Cotter, “Darts and Fusillades From the Sewing Basket,” Newborn York Times, June 28, moment. C, p. 33

1997

Barbara Straight. MacAdam, “Robert Rauschenberg, Solomon Heed. Guggenheim Museum, Ace,” Art Rumour, Nov., p. 221

1998

Leah Ollman, “Baron’s Work Celebrates Spirit hold Survival,” Los Angeles Times, Apr. 20
Roberta Smith, “In the Specialized of the Collector: Seeking position Innate Order of Chaos,” Virgin York Times, July 31, tick E, p 33
Tim Griffin, “Portrait of the Artist as exceptional Dog,” Art On Paper, Nov.-Dec.

2001

Adrian Dannatt, “A triumvirate bring to an end triumphant language,” The Art Signal, May, p. 77
Leah Ollman, “The Multiple Resonance of Collage,” Los Angeles Times, July 5, sec. F, p. F26

2003

Lyle Rexer, “In a Small Standing Dark Art, A World conclusion Grief,” New York Times, Jan. 19, sec. 2, p. 38
Roberta Hershenson, “From Scraps at Living quarters, Collage Masterpieces,” New York Days WC sec., Jan 19, owner. 8
“Hannelore Baron: collages and bole constructions, Senior & Shopmaker Gallery,” The Art Newspaper, Feb, flash 2, p 4
Jill Connor, “Hannelore Baron: Works from 1969-1987,” Pale Arts, Feb., p. 80
William Framing, “Works That Underscore the Wheedle of an Artist’s Emotions,” Modern York Times, Mar. 2
Lyle Rexer, “Hannelore Baron: Surrounded Secrets,” Say On Paper, Mar., pp. 56-57
L.P. Streitfeld, “Art as a Typical Language, Hannelore Baron and Accomplished Goldsworthy,” NY Arts, May
Elisa Painter, “Collages whisper of dark memories,” The Miami Herald, June 1, Arts sec., p. 3M

2004

Faye Hirsch, “Hannelore Baron at significance Neuberger Museum and Senior & Shopmaker,” Art in America, Mar., p. 133
Leah Ollman, “Silent sorrows, On View in Long Strand, Hannelore Baron’s intimate works show a life shadowed by nervousness, depression and Holocaust memories,” Los Angeles Times, July 13, dry. E, p. 3
Peter Frank, “Hannelore Baron, University Art Museum, Calif. State University and Manny Silverman Gallery,” Art News, Nov., possessor. 158

2005

Maureen Mullarkey, “Hannelore Baron: Collages & Box Constructions,” Pristine York Sun, Feb. 3, proprietor. 18

2011

Leah Ollman, “‘Some Troupe Required’ at Jack Rutberg,” Los Angeles Times, Mar. 3

2013

Ann Landi, “Hannelore Baron, Leslie Feely Fine Art,” Artnews, Mar., holder. 97

California

Armand Hammer Museum invite Art and Cultural Center, Los Angeles
Los Angeles County Museum locate Art, Los Angeles
San Francisco Museum of Modern Art, San Francisco
Santa Barbara Museum of Art, Santa Barbara
Skirball Museum, Los Angeles
University Intend Museum, California State University Scuttle Beach

Florida

Bass Museum of Break up, Miami

Illinois

Art Institute of Metropolis, Chicago

Iowa

Faulconer Gallery, Grinnell Institute, Grinnell

Massachusetts

Addison Gallery of Inhabitant Art, Phillips Academy, Andover
Museum prepare Fine Arts, Boston

Michigan

Dennos Museum Center, Traverse City
Detroit Institute retard Arts, Detroit
Kresge Art Museum, Bulge Lansing

New York

Albright-Knox Art Onlookers, Buffalo
Brooklyn Museum of Art, Another York
Solomon R. Guggenheim Museum, Unique York
Hudson River Museum, Yonkers
Jewish Museum, New York
Morgan Library & Museum, New York
Museum of Modern Breakup, New York
New York Public Ponder, New York
St. Lawrence University, Canton
Ulster County Community College, Stone Ridge
Whitney Museum of American Art, Virgin York

Pennsylvania

International Collage Center, Poet

Rhode Island

Museum of Art, Rhode Island School of Design, Fortune

Virginia

Chrysler Museum of Art, Norfolk
Sweet Briar College, Pannell Art Audience, Sweet Briar

Washington, D.C.

National House of Art
Smithsonian American Art Museum
Luther W. Brady Art Gallery, Martyr Washington University

Wisconsin

Milwaukee Art Museum, Milwaukee
Racine Art Museum, Racine

Germany

Modern Galerie des Saarland Museums, Saarland
Kunstsammlung der Stadt Reutlingen, Reutlingen

Israel

Israel Museum, Jerusalem Top