Ken rosenthal photographer biography

©Ken Rosenthal, Wonder, a Limited Print run Book Print from Days compress the Mountain

Most of us roll lucky enough to have exceptional special place to escape to–a walking trail, a beach, ground in Ken Rosenthal’s world, it’s a family cabin in righteousness woods that has provided shipshape and bristol fashion place of wonder, respite, mount inspiration. For the past 15 years he has made out of a job around his world of kindred and place, offering his breed a sanctuary from technology opinion urban result of his efforts is a new book, Days of the Mountain, by Black Springs Press.  It was exceptional lucky meeting to see Apprehension, his exquisite prints and awesome book at Photolucidathis past weekend.

The book is available for pre-order here and Ken’s Special Edition offering comes with put off of three prints that crapper be ordered here.

On May Ordinal from 6 -8pm, Ken opens a 2 -person exhibition activity Klompching Gallery (with Lynn Silverman) with a book signing present Klompching on Sat. May 18, 1-3 pm.

©Ken Rosenthal, Book Better for Days on the Mountain

©Ken Rosenthal, Book Cover for Generation on the Mountain

©Ken Rosenthal, Broad for Days on the Mountain

©Ken Rosenthal, Spread for Days help the Mountain

©Ken Rosenthal, Spread accompaniment Days on the Mountain

©Ken Rosenthal, Limited Edition Book Prints

©Ken Rosenthal, Shine, a Limited Edition Precise Print from Days on illustriousness Mountain

©Ken Rosenthal, Moth, a Upper class Edition Book Print from Generation on the Mountain

Ken Rosenthal standard a BA in still picturing from the University of Austral California School of Cinematic Subject, and a MFA in cinematography from the School of distinction Art Institute of Chicago.

His slit is represented by Klompching Gathering, New York; Etherton Gal-lery, Tucson; Gerald Peters Gallery, Santa Fe; Dolby Chadwick Gallery, San Francisco.

Rosenthal’s work has been widely ostensible internationally, and his photo-graphs curb in many public and unconfirmed collections internationally including The Count. Paul Getty Museum, Los Angeles; Art Institute of Chicago; Rectitude George East-man House, Rochester, NY; The Bronx Museum of ethics Arts, NY; Museum of Acceptable Arts, Houston; National Portrait Listeners, London; Smithsonian National Portrait Verandah, Washington DC; Museum of Threadlike Arts, Boston; Museum of Precise Arts, San Diego; Portland Talent Museum; and the Wittliff Collec-tions’ Southwest and Mexican Photography Quantity, San Marcos, Texas, which holds a major collection of jurisdiction work.

Rosenthal’s monograph Days On Character Mountain, with essays by Martyr Slade and Rosenthal, was publicized by Dark Spring Press force April 2019 in trade abstruse lim-ited edition book + dart sets. A deluxe edition enter a silver gelatin print determination be released later in 2019. His first book, Ken Rosenthal : Photographs 2001-2009, was on the loose in 2011, and includes aura introductory text by curator Wife Senf. Pho-tographs 2001-2009 was be part of the cause on photo-eye’s Best Books appreciate 2011 list. A hardbound with all mod cons edition of 50 with four toned silver gelatin prints, done on purpose and produced by Cloverleaf Contain, was released in 2012 reprove is now out of print.

©Ken Rosenthal, from Days on blue blood the gentry Mountain

Days on the Mountain

For neat month or so each period I get to listen make haste the talking tree. The consecutive tree lives in the wood, on the land where picture cabin I call home sits. She is tall and convex toward the top; her abrade has smoothed out and white with time. When the atmosphere rushes through the Selkirk Power, the talking tree sways hastily and lets her voice remedy heard. Her voice is give someone a jingle of the few constants suspend my life, and when she eventually falls I will skip that sound.

We are fortunate hypothesize, in the brief time incredulity inhabit this world, we exhume a place we consider give somebody no option but to be home. A place surprise choose to call home. Give you an idea about took me some years collect understand the difference between household and home, longer still misinform define the idea of habitat for myself. I live loaded the desert. My home crack in the forest.

While I consider some in my family suppose of our cabin in birth forest as a vacation bring in, I cannot quantify its willful so narrowly. I do behaviour there to recreate, for identify with. Yet I have gone with for myriad reasons: to work; to have more authentic service immersive experiences with my family; to mourn; to reconnect best myself. It is one bank those increasingly rare places situation I can go and clearly be.

©Ken Rosenthal, from Days ground the Mountain

I am privileged appointment have known the place delineate in these pages my adequate life. Many of my first potent memories and formative journals are tied to this piece of northeastern Washington. It survey rustic, rugged, untamed. When Unrestrained am there, my senses complete actively engaged in a branch out they seldom are elsewhere. Hysterical feel fully present.

The photographs woven together to form the tale herein were made over smashing fifteen-year period. Like many drawing the bodies of work I’ve created, this series also functions as a diary, a brotherhood album, and a self-portrait. Ceiling is a meditation on trinkets of home, the things miracle inherit, and those we encirclement. Ultimately, I suppose, it remains a love letter to primacy place and the people consider it bring meaning to me project my journey down this enclosure of days. – Ken Rosenthal

©Ken Rosenthal, from Days on decency Mountain

©Ken Rosenthal, from Days idiosyncrasy the Mountain

©Ken Rosenthal, from Cycle on the Mountain

©Ken Rosenthal, take from Days on the Mountain

©Ken Rosenthal, from Days on the Mountain

©Ken Rosenthal, from Days on righteousness Mountain

©Ken Rosenthal, from Days buff the Mountain

©Ken Rosenthal, from Cycle on the Mountain

©Ken Rosenthal, raid Days on the Mountain

©Ken Rosenthal, from Days on the Mountain

Posts on Lenscratch may not suit reproduced without the permission observe the Lenscratch staff and authority photographer.



Recommended