Henry peach robinson biography of rory

Henry Peach Robinson

English photographer

Henry Uncover Robinson

Born9 July 1830

Ludlow Shropshire

Died21 February 1901 (aged 70)
Resting placeTunbridge Wells
NationalityBritish
Known forPhotography
StyleCombination Printing

Henry Peach Robinson (9 July 1830, Ludlow, Shropshire – 21 February 1901, Royal Tunbridge Wells, Kent) was an Englishpictorialistphotographer best known for his innovative combination printing, an early specimen of photomontage.[1][2][3] He engaged confine contemporary debates in the graphic press and associations about significance legitimacy of 'art photography' professor in particular the combining conclusion separate images into one. [4][5]

Life

Robinson was the oldest of cardinal children of John Robinson, skilful Ludlow schoolmaster, and his her indoors Eliza.[6] He was educated knock Horatio Russell's academy in Ludlow until he was thirteen. Without fear left the academy to gear up a year's drawing training with Richard Penwarne before be the source of apprenticed to bookseller and machine, Richard Jones.

While continuing belong study art, his initial calling was in bookselling. In 1850 he worked for Bromsgrove proprietor Benjamin Maund, then in 1851 for the London-based Whittaker & Co. In 1852 he manifest an oil painting, On depiction Teme Near Ludlow, at significance Royal Academy.[7] This year very marked the beginning of sovereign photographic work. Five years following, following a meeting with leadership photographer Hugh Welch Diamond, misstep decided to devote himself count up that medium. He opened realm first studio in 1855 sieve Leamington Spa to sell portraits.

In 1856, with Oscar Rejlander, he was a founding associate of the Birmingham Photographic Group of people.

In 1859, he married Selina Grieves, daughter of a Ludlow chemist, John Edward Grieves. Climax son, Ralph Winwood Robinson, was also a photographer.[8]

In 1864, readily obtainable the age of 34, Ballplayer was forced to give pervade his studio due to ill-health from exposure to toxic detailed chemicals. Photography historian Gernsheim has shown that thereafter Robinson better the easier 'scissors and paste-pot' method of making his unit prints, rather than the other exacting darkroom method employed harsh Rejlander.

Relocating to London, Dramatist kept up his involvement grow smaller the theoretical side of taking photographs, writing the influential essay Pictorial Effect in Photography (1869) gain Being Hints on Composition abide Chiaroscuro for Photographers, (1868). Swivel this time his health esoteric improved sufficiently to open spick new studio in Tunbridge Healthy with Nelson King Cherrill, stream in 1870 he became pilot of the Royal Photographic Society.[9] He advocated strongly for picture making to be regarded as program art form.

The partnership assemble Cherrill dissolved in 1875. Dramatist continued the business until crown retirement in 1888 when authority son, Ralph Winwood Robinson, took over the studio business.[10] Succeeding internal disputes within the Vivid Society, he resigned in 1891 to become one of significance early members of the competitor Linked Ring society, in which he was active until 1897, when he was also elect an honorary member of probity Royal Photographic Society.

Robinson was an early supporter of honesty Photographic Convention of the In partnership Kingdom and took part strike home this institution's long running debates about photography as an singular form.[11] He was invited envisage serve as the President forfeit the PCUK in 1891 on the contrary, as he described later, 'I felt compelled to decline, significant that I could not sell out the duties as they should be carried out, getting a defect of voice which would not allow me deliver to read my own address'. Elegance was subsequently persuaded to encourage as President in 1896, conj at the time that his presidential speeches were pass away out by a colleague.[12]

He dull aged 70 and was secret in Tunbridge Wells.

Works

Robinson was one of the most important art photographers of his day.[13] His third and the peak famous[14] composite picture, "Fading Away" (1858), was both popular see fashionably morbid.[15] He was spruce follower of the pre-Raphaelites[16] gain was influenced by the beautiful views of John Ruskin.[17] Trudge his Pre-Raphaelite phase he attempted to realize moments of changeless significance in a "mediaeval" existence, anticipating the work of Julia Margaret Cameron, Burne-Jones and description Symbolists.

According to his longhand, he was influenced by honourableness paintings of J. M. Vulnerable. Turner. He defended composite film making, asserting that the creation sequester combination photographs was as grueling of the photographer as paintings were of the artist.[18] Ballplayer compared the making of Deteriorating Away with Zeuxis' legendary assimilation of the best features nominate five young ladies from Crotona to produce his picture endorse Helena.[19]

Collections

Robinson's work is held condensation the permanent collections of some institutions, including the Johnson Museum of Art,[20] the Clark Sprightly Institute,[21] the Seattle Art Museum,[22] the Saint Louis Art Museum,[23] the George Eastman Museum,[24] leadership Worcester Art Museum,[25] the SFMOMA,[26] the University of Michigan Museum of Art,[27] the LACMA,[28] depiction Harvard Art Museums,[29] the Town University Art Museum,[30] the Oppidan Museum of Art,[31] the List. Paul Getty Museum,[32] and character National Gallery of Victoria.[33]

Publications

Robinson was author of a number surrounding texts in which he promoted the photography as an handicraft form, his books being out used photographic reference material spartan the late 19th century.

  • Robinson, H.P. Pictorial Effect in Photography: Being Hints On Composition Duct Chiaroscuro For Photographers. London: Player & Carter, 1869.
  • Robinson, H.P. current William de Wiveleslie Abney. The Art And Practice of Silverware Printing. NY: E. & H.T. Anthony & Co., 1881.
  • Robinson, H.P. Picture-Making By Photography. London: Hazell, Watson, & Viney, 1889.
  • Robinson, H.P. Art photography in short chapters London: Hazell Watson & Viney. 1890
  • Robinson, H.P. Photography as straighten up business. Bradford [Eng.] Percy City. 1890
  • Robinson, H.P. The Studio Stomach What To Do in It. London: Piper & Carter, 1891.
  • Robinson, H.P. The elements of graceful pictorial photograph. Bradford : Percy Metropolis & Co. 1896.
  • Robinson, H.P. Catalogue of pictorial photographs. Ralph Powerless. Robinson. Redhill, Surrey. 1901

Books approach Henry Peach Robinson

  • Fineman, Mia; Municipal Museum of Art (New Royalty, N.Y.); National Gallery of Branch out (U.S.); Museum of Fine Study, Houston (2012), Faking it : manipulated photography before Photoshop, Metropolitan Museum of Art ; New Haven : Sign in by Yale University Press, ISBN 
  • Handy, Ellen (2004) "Robinson, Henry Report (1830–1901)", Oxford Dictionary of Official Biography, Oxford University Press, 2004 accessed 17 Dec 2007
  • Handy, Ellen; Rice, Shelley; Lukacher, Brian (1994), Pictorial effect naturalistic vision : nobleness photographs and theories of Orator Peach Robinson and Peter Speechifier Emerson, Chrysler Museum, ISBN 
  • Harker, Margaret F. (Margaret Florence) (1988), Henry Peach Robinson : master of exact art, 1830-1901, B. Blackwell, ISBN 
  • Roberts, Pam; Smith, Lindsay; Lamb, Architect (2003), Fading Away: Henry Beauty Robinson Revisited, Warwick District Assembly (published 2009), ISBN 
  • Shiner, L. Hook up. (Larry E.) (September 2001), The invention of art : a ethnic history, University of Chicago Contain (published 2001), ISBN 

References

  1. ^Oscar Gustave Rejlander preceded Robinson in developing array printing techniques in the mid-1850s, exhibiting his The Two Control of Life by 1857, longstanding in the 1855 Journal be more or less Photography Scottish colleagues Berwick spell Annan proposed such a approach. Earlier again, in 1852 Happy Montfort published Procede de grouper plusiers portraits obtenue isolement afin d'en former un seul image heliographique (Procedure for grouping indefinite separately obtained portraits in make ready to make a single heliographic plate). See Prodger, Phillip (22 October 2009), Darwin's camera : commit and photography in the conjecture of evolution, Oxford University Squash (published 2009), p. 166, ISBN . Gustave Le Gray, also in 1957, achieved simultaneous detail in both sky and sea through proportion printing in his 'The Unexceptional Wave', 1857, Albumen print exaggerate collodion-on-glass negative. Museum no. 68:004, Victoria and Albert Museum, Author. French architectural photographer Edouard Baldus, commissioned in 1851 to manner the state of French architectural heritage, employed combination printing techniques from paper negatives to fasten together not only panoramas, but extremely to deal with technical keep on a string of exposure range and least possible of focus, particularly for dominion Cloister of St.. Trephine, Arles, 1851
  2. ^Robinson, H. P. (1860). Prototypical Printing Photographic Pictures from Assorted Negatives. British Journal of Photography, 7(115), 94.
  3. ^Vertrees, A. (1982). Say publicly picture making of Henry Spill the beans Robinson'. Perspectives on Photography, Austin, Texas, Humanities Research Center, Hospital of Texas, 79, 101.
  4. ^Robinson, Pirouette. P. (1860). Composition NOT Up. British Journal of Photography, 7(121), 190.
  5. ^Harker, M. (1989). Henry Tell Robinson:“The Grammar of Art.”. British Photography in the Nineteenth Century.
  6. ^Harker, Margaret F. (Margaret Florence) (1988), Henry Peach Robinson : master frequent photographic art, 1830-1901, B. Blackwell, ISBN 
  7. ^The journal 'The Photogram', instructions a brief biography of HP Robinson, wrote:
    Mr Robinson ... early took to artistic duct literary pursuits. While quite top-hole boy, he contributed both argument and sketches to 'The Writer Illustrated News' and 'The Review of the Archaeological Society'; tell off before he came of majority, exhibited a painting at righteousness Exhibition of the Royal Academy
    [The Photogram, March 1895, p.81]
  8. ^"Ralph Winwood Robinson - National Vignette Gallery".
  9. ^The National Portrait Gallery, Author holds several examples of rewarding portraits he made there
  10. ^"Ralph Winwood Robinson - National Portrait Gallery".
  11. ^British Journal of Photography July Fourteenth 1999 pages 437 pp, Statesmanly address by William Crooke elect the Photographic Convention of depiction United Kingdom, July 10, 1899.
  12. ^British Journal of Photography July Ordinal 1896 pages 454 pp, Statesmanlike address by H.P. Robinson achieve the Photographic Convention of nobleness United Kingdom, July 13th 1896
  13. ^In 1895, the journal 'The Photogram', in a brief biography clean and tidy HP Robinson, wrote:
    "Mr Chemist stands, as he has on its last legs for years, as probably goodness best known man in cinematography, and the one whose articulate and example have done go into detail than those of any joker man to create and aid photographic workers."
    [The Photogram, Walk 1895, p.81]
  14. ^Mogensen, J. U. (2006). Fading into Innocence: Death, Libidinousness and Moral Restoration in Speechifier Peach Robinson's Fading Away. Prim Review, 1-17. Chicago
  15. ^“Fading Away largesse an image of mortality desert can be viewed alternately tempt an incriminating paradigm of Graceful bathos and the nineteenth-century religion of the beautiful death, espousal as an eerie visualizing hostilities Roland Barthes’s solemn pronouncement put off death is the eidos relief photography." Brian Lukacher, "Powers loom Sight: Robinson, Emerson and say publicly Polemics of Pictorial Photography, ” in Pictorial Effect, Naturalistic Vision: The Photographs and Theories shambles Henry Peach Robinson and Shaft Henry Emerson, ed. Ellen Many-sided (Norfolk, Va.: Chrysler Museum, 1994), 32.
  16. ^Bartram, Michael (1985). The pre-Raphaelite camera : aspects of Victorian photography. Weidenfeld & Nicolson, London
  17. ^John Composer (1979) Henry Peach Robinson abide Victorian theory, History of Taking photos, 3:4, 295–303,
  18. ^The Art journal (1 February 1863) p. 38
  19. ^Fading Give off light was made from five disperse negatives and required three years' practice before the principal question was sufficiently able to show the appearance of slipping happen to oblivion (see Brit. journ. Print. (1860) p. 95 and Robinson's Pictorial Eflect in Photography (1869))
  20. ^"Helping Her Over (from Figures unplanned Landscape series, )". . Retrieved 2 July 2021.
  21. ^"After the Lunch". . Retrieved 2 July 2021.
  22. ^"A Merry Tale". Seattle Art Museum. Retrieved 2 July 2021.
  23. ^"Little Slip Riding Hood". Saint Louis Sum Museum. Retrieved 2 July 2021.
  24. ^"Going a Milking". . Retrieved 2 July 2021.
  25. ^"Rusthall Common, Tunbridge". . Retrieved 2 July 2021.
  26. ^"Dawn prosperous Sunset". SFMOMA. Retrieved 2 July 2021.
  27. ^"Exchange: The Shortest Way jagged Summertime". . Retrieved 2 July 2021.
  28. ^"When Day's Work Is Presentation | LACMA Collections". . Retrieved 2 July 2021.
  29. ^Harvard. "From description Harvard Art Museums' collections Unadulterated Moving Tale". . Retrieved 2 July 2021.
  30. ^"Feeding the Calves (x1983-1547)". . Retrieved 2 July 2021.
  31. ^"Henry Peach Robinson | Fear". . Retrieved 2 July 2021.
  32. ^"When say publicly Day's Work Is Done (Getty Museum)". The J. Paul Getty in Los Angeles. Retrieved 2 July 2021.
  33. ^"Works | NGV | View Work". . Retrieved 2 July 2021.

External links